Try It On A Burger, Trust Me

I may have made this mistake more than once. Also, I would buy the hell out of that book.

The Miracleman/Marvelman saga is a legend in comics circles. Not so much because he was a super great character, but because it is one of the more complicated stories of character ownership in the modern age. Names like Moore, Gaiman, Anglo, McFarlane and more have been involved with the character and the litigation is been lengthy.

I was not fortunate enough to have gotten to know the character during his inception, but I am kind of interested to see what happens now that Marvel has gotten their hands on the rights. It’d be interesting to see how they are going to work him into the post-AvX Marvel Universe. Sometimes a bit of new(ish) blood injected into the mix can be a pretty cool thing.

We will see what happens, but my biggest concern has yet to be addressed: Is he fat-free?

Today’s delicious page comes from Tone Rodriguez:

Tone Rodriguez has been producing artwork for comic books, graphic novels, television and motion pictures for over 10 years. His first series was for Image Comics in 1999, Violent Messiahs: Book of Job and Lamenting Pain. He then collaborated with legendary horror director John Carpenter and film actor Kurt Russell to produce artwork for The Snake Plissken Chronicles. Tone has worked on such books as The Simpsons, Mars Attacks, Conan, Radioactive Man, Futurama, Shadowhawk and KISS. His art has been seen on Showtime’s Dexter and NBC’s The Office. Tone lives in North Hollywood, California. He works seven days a week at the Garage Art Studio.

Have a great start to the week, everyone! See you back here Wednesday!

-Moss

Comic Artist:
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